Capitol Hill this morning

I carry my skillfully rosetted soy latte outside, resting cup and saucer on a small wrought iron table. Truckers puff their compression brakes and incrementally ascend Olive Way. Diesel smells like 5-dollar bills bursting into flame. A reptilian tattoo coils neckward from under a cotton tank. An English Bulldog saunters beside a similarly jowled septuagenarian. My eyes rise along locust trees and higher to tiny verandas; one is completely filled by an unfinished Adirondack chair. I return to my coffee. Colors on salvaged barn-siding slowly coalesce into the faded shape of a girl. Swirled calligraphy sorts into sense. "I will always love the false image I had of you.”

suburbia re-animated

Yanking trail shoes over socks is enough. Indy hears from three rooms away; I may as well have said walk in his ear. He muzzles me and sings his petition. I rev him, Where’s your leash? Now his croon is resolute.

Indiana Jones is a Yakima Farmdog, a blend of Red Heeler, Husky, and Shepherd. These are guesses, of course, since he bears no pedigree. We rescued him from a vagabond lifestyle that wasn’t working out well.

Deep-chested and athletic, Indy’s the sort of dog that looks good in a bandanna, racing the surf’s curled edge. His medium-length hair is colored caramel, white, and black from tapered snout to crescent tail. Our house is snowed with fur whenever his undercoat blows.

It’s January, dark and clear; a near-full moon makes the chill visible. We push uphill out of our neighborhood and find walking rhythm. I coax my breath to cooperate. Last-minute, I divert onto a side trail; Indy is pleasantly surprised. Trees consume the moonlight and leave us none. It’s easy to picture nocturnal predators, biding, strung for violence. I switch on my Coleman flashlight and script implausible scenarios for Indy and me, repelling a cougar with cinematic panache.

We emerge onto the Tolt Pipeline Trail. The eastern sky is starry, silverscreen-indigo; the flashlight is unneeded under a big moon. Walking westward, an unlikely shade of teal tints the gloaming horizon. This kind of blueness is pilfered from summer and captivatingly out of place – like a full-throated baritone holding one last note.

Indy is suddenly on alert, ears up, white chest flaring. He fixes silently on a shadowed shape barely moonlit. Rabbit? (Good thing I kept him leashed.) I aim, slide the light on. The Coleman’s tight circle tags a figure: untamed, adaptive, gorgeous coyote. I hold my beam on him and he holds his eyes on me, exiting... more like a bird than a dog, ground-flying… more like a ghost than me, vanishing.

I’m a strip of celluloid pulled from the cutting room floor, spliced into someone else’s movie. I look over my shoulder. He wouldn’t follow, would he? He’d keep to the shadows anyway. Indy knows he’s gone and relaxes. Another glance back: two planes fly oppositely, miming stars. Orion bows low to Luna. Cold clearness, so beautiful; suburbia re-animated.

Bigleaf Maple

Near the southwestern corner of my property stands a bigleaf maple tree. The surrounding firs are taller; they shoot up like arrows, denying their indebtedness to earth. The maple spreads its muscular canopy in a broad, rounded dome that echoes its mother’s ever-pregnant belly.

One of the best things about trees is that they stay put. Trees are not transient; they don’t change their minds about where they want to live. So when one vacates its place, the spirit of that locale changes.

A few winters ago it lost a large limb in a storm. The following summer I climbed the bank, picking my way through tangles of ivy and blackberry vines. I carried a bow saw, thinking to harvest a few armfuls of firewood from the fallen branches.

I was surprised to find the wood was already rotten from the inside out. It turns out that bigleafs are susceptible to a blight that causes them to fall apart. Few stand for more than a couple of decades.

The tree’s imminent demise has not dimmed its palette. Each autumn its leaves are transformed from sweet green to Van Gogh strokes of ochre, lemon, russet, and flame. It is a fountain of oxygen and color telling a story about the dignity of ending.